In The Spotlight
Theme: Patterns and Textures
Seasons of life by Aaron Ooi 40x35x55cm Not for sale “Seasons of life” was shaped by a deeply personal chapter in my own life’s journey, during a time in which I returned back home from Canada to be with my dad after his diagnosis of a terminal illness. It was a time marked by a period of growth and beauty alongside challenges and uncertainties, and this piece became a way to process the journey experienced in the years during his illness. I drew on the metaphorical qualities of glass as a medium: its ability to refract light and create intricate patterns mirroring the multifacted nature of human experience, its fragility speaking to life’s vulnerability and impermanence, and transformation of sand into glass under intense pressure and heat, symbolising the resiliency frequently discovered when navigating adversity. Within this piece, each tree embodies a distinct season of life, with new beginnings, opportunities and hope in spring; growth, achievement and stability in summer; transformation, inevitability of change and acceptance of life’s impermanence in autumn; and grief, introspection and solitude in winter. The white tree, representing winter, fittingly, took the longest and was the hardest to make despite its simplicity. The roots of these trees are anchored against charred driftwood, obtained from our final family holiday filled with treasured memories. The juxtaposition of glass against driftwood symbolises the passage of time anchoring each season, rooted within connections to family and loved ones. “Seasons of life” invites viewers to pause, reflect and find the beauty found in every season, and the strength found in embracing the journey in a world that is both fragile and resilient, and fleeting yet enduring. As a paediatrician, practicing medicine has at times, been all consuming. Amidst the intensity of clinical life, it is often easier to stay on the “treadmill”, than to make space for creativity. Yet it’s precisely that space, quiet, playful, spontaneous, that I have found to be the most grounding. My journey with glass first started when I came across Dale Chihuly's work in Seattle, and a chance encounter at the local glass studio in Rotorua sparked something unexpected. Working with molten glass requires the interplay of heat, gravity, and timing, often in an almost meditative way; flameworking has become a form of mindfulness and balance in the midst of managing “adulting” and medicine. Social media: aaronkwooi
Floral fun by Bev Boel 235 x 50 x 235 cm For sale: $210 - contact Bev directly at bevandpete279@gmail.com A fun few days with friends resulted in this lovely floral effect. I have been playing with fused and slumped glass for over 10 years now. I love colour and form and this versatile medium allows for endless experimentation.
Floral fun by Bev Boel 13 x 13 x 38 cm For sale: $180 - contact Bev directly at bevandpete279@gmail.com I have spent a lot of time afloat and love to recreate the colours of the ocean. I have been playing with fused and slumped glass for over 10 years now. I love colour and form and this versatile medium allows for endless experimentation.
Coloured Weave by Caren Ashford 40 x 20 x 3 cm Commissions available - contact Caren directly to discuss at dashfordglass@gmail.com
Wave from the Sea by Caren Ashford 16 x 27 x 13 cm Commissions available - contact Caren directly to discuss at dashfordglass@gmail.com
Blooms detail E1 by Carmen Simmonds 12 x 12 cm For sale: $440 - contact Carmen directly on info@carmensimmonds.com These glassworks are a celebration of all things feminine and the corresponding beauty of flowers. These are made from recycled glass and were featured in the New Glass Review 44 magazine. Carmen has been working professionally in the glass arts for over 20 years. She has a Bachelor of Fine Arts from UCOL in Whanganui, where her studio is located and a Master in Art and Design from AUT. Her glasswork predominantly employs the lost wax casting technique with additions of bronze and needlework. Carmen’s glasswork is collected and exhibited throughout New Zealand and internationally. Facebook: carmensimmondsglass Instagram: csimmondsnz
Blooms E1 by Carmen Simmonds 12 x 12 cm For sale: $440 - contact Carmen directly on info@carmensimmonds.com These glassworks are a celebration of all things feminine and the corresponding beauty of flowers. These are made from recycled glass and were featured in the New Glass Review 44 magazine. Carmen has been working professionally in the glass arts for over 20 years. She has a Bachelor of Fine Arts from UCOL in Whanganui, where her studio is located and a Master in Art and Design from AUT. Her glasswork predominantly employs the lost wax casting technique with additions of bronze and needlework. Carmen’s glasswork is collected and exhibited throughout New Zealand and internationally. Facebook: carmensimmondsglass Instagram: csimmondsnz
Tectonic by David Traub 650 x 300 x 120 including frame For sale: $2500 - contact David directly on david.traub5@gmail.com. This piece was inspired by some research i did on the earthquakes and their effect on the landscape. David has worked in glass for 50 years. His work is featured in public and private collections both here and abroad. In 1995 David moved to Whanganui to lead the glass program at the polytechnic, and in 2006 opened his current studio. His work can be found in dealer galleries or from his studio in Whanganui. He has received numerous awards and his work has been featured in major exhibitions and publications. Facebook David Traub
Wrapping #2 by David Traub 650 x 300 x 120 including frame For sale: $2500 - contact David directly on david.traub5@gmail.com. This work is part of an ongoing series of work inspired by textiles, in this instance the Korean Wrapping Cloths. David has worked in glass for 50 years. His work is featured in public and private collections both here and abroad. In 1995 David moved to Whanganui to lead the glass program at the polytechnic, and in 2006 opened his current studio. His work can be found in dealer galleries or from his studio in Whanganui. He has received numerous awards and his work has been featured in major exhibitions and publications. Facebook David Traub
Tamarillo Bottle with green Stopper by Fran Anderton 10 x 30 x 10 cm Part of the "Fruit Series". This is a two piece sculpture, with the stopper sitting loose in the bottle. Matte finish. For sale: $430 - contact Fran directly at franticglass@gmail.com Fran's glass career started in the year 2000 when she enrolled as an adult student at the Whanganui Glass School. Three years later she emerged with a Glass Production and Design Diploma. Her passion for creating glass art had been ignited ! In 2004 a studio was set up behind her home in Castlecliff, Whanganui. This has now evolved into a new build in 2018, which doubles as a Gallery space and work area. The main technique she employs to produce art glass is the discipline of glassblowing. However some projects have called for casting and fusing techniques, along with cold working disciplines to finish them to a high standard. She produces items that span from small gift items to exhibition pieces. One of her main themes is based on botanical specimens, in the form of bottles and stoppers. These have added to the decor of many homes in New Zealand and internationally over the last 20 years. fb : Fran Anderton Frantic glass
Sunset Bowl by Fran Anderton 17 x 9 x 17 cm Part of the "Landscape Series" Beautiful transparent colours. Shiny finish. For sale: $80 - contact Fran directly at franticglass@gmail.com Fran's glass career started in the year 2000 when she enrolled as an adult student at the Whanganui Glass School. Three years later she emerged with a Glass Production and Design Diploma. Her passion for creating glass art had been ignited ! In 2004 a studio was set up behind her home in Castlecliff, Whanganui. This has now evolved into a new build in 2018, which doubles as a Gallery space and work area. The main technique she employs to produce art glass is the discipline of glassblowing. However some projects have called for casting and fusing techniques, along with cold working disciplines to finish them to a high standard. She produces items that span from small gift items to exhibition pieces. One of her main themes is based on botanical specimens, in the form of bottles and stoppers. These have added to the decor of many homes in New Zealand and internationally over the last 20 years. fb : Fran Anderton Frantic glass
Angel by Fran Anderton 3 x 11 x 2 cm Copper blue Angel Perfect gift for a loved one. Shiny finish. For sale: $30 - contact Fran directly at franticglass@gmail.com Fran's glass career started in the year 2000 when she enrolled as an adult student at the Whanganui Glass School. Three years later she emerged with a Glass Production and Design Diploma. Her passion for creating glass art had been ignited ! In 2004 a studio was set up behind her home in Castlecliff, Whanganui. This has now evolved into a new build in 2018, which doubles as a Gallery space and work area. The main technique she employs to produce art glass is the discipline of glassblowing. However some projects have called for casting and fusing techniques, along with cold working disciplines to finish them to a high standard. She produces items that span from small gift items to exhibition pieces. One of her main themes is based on botanical specimens, in the form of bottles and stoppers. These have added to the decor of many homes in New Zealand and internationally over the last 20 years. fb : Fran Anderton Frantic glass
NZ Native Bush Vase Fran Anderton 10 x 15 x 8 cm This is a beautifully crafted piece. The form has been flattened to enhance the effect of the light shining through the mingle of colours. Finished with a matte surface and engraved sides, it epitomises the colours found in the NZ Bush. For sale: $230 - contact Fran directly at franticglass@gmail.com Fran's glass career started in the year 2000 when she enrolled as an adult student at the Whanganui Glass School. Three years later she emerged with a Glass Production and Design Diploma. Her passion for creating glass art had been ignited ! In 2004 a studio was set up behind her home in Castlecliff, Whanganui. This has now evolved into a new build in 2018, which doubles as a Gallery space and work area. The main technique she employs to produce art glass is the discipline of glassblowing. However some projects have called for casting and fusing techniques, along with cold working disciplines to finish them to a high standard. She produces items that span from small gift items to exhibition pieces. One of her main themes is based on botanical specimens, in the form of bottles and stoppers. These have added to the decor of many homes in New Zealand and internationally over the last 20 years. fb : Fran Anderton Frantic glass
Flowers by Gillian Jones Size: 10cm x 6cm x 15cm Not For Sale Social Media: FB glasskiwi Instagram glasskiwilady Artist bio: My glass fusing journey started in 2019, it has turned into a joy and a passion. I have gained knowledge, experience and some good friends along the way. I had my first solo exhibition last year which was very well received. My second exhibition is a joint venture with the artist Patricia Holliss, is at Easter next year in Auckland
Fudge by Gillian Jones Size: 19cm x 6cm x 22cm Not for sale Social Media: FB glasskiwi Instagram glasskiwilady Artist bio: My glass fusing journey started in 2019, it has turned into a joy and a passion. I have gained knowledge, experience and some good friends along the way. I had my first solo exhibition last year which was very well received. My second exhibition is a joint venture with the artist Patricia Holliss, is at Easter next year in Auckland.
Oprimism (On a black metal stand) by Gillian Jones Size: 32cm x 40cm Not for sale Social Media: FB glasskiwi Instagram glasskiwilady Artist bio: My glass fusing journey started in 2019, it has turned into a joy and a passion. I have gained knowledge, experience and some good friends along the way. I had my first solo exhibition last year which was very well received. My second exhibition is a joint venture with the artist Patricia Holliss, is at Easter next year in Auckland
Organic Flower Bowl by Gillian Jones Size: 20cm x 20cm Not for sale Social Media: FB glasskiwi Instagram glasskiwilady Artist bio: My glass fusing journey started in 2019, it has turned into a joy and a passion. I have gained knowledge, experience and some good friends along the way. I had my first solo exhibition last year which was very well received. My second exhibition is a joint venture with the artist Patricia Holliss, is at Easter next year in Auckland
DnD Class Coasters by Haydn Cornwall 10 x 10 x 2 cm 4x Sand blasted coasters. Not for sale This is fan content. Not endorsed or sponsored, NOT official merch.T The symbol designs are from the popular franchise Dungeons and Dragons. made by Wizards of the Coast. original designs can be seen here https://www.dndbeyond.com/classes https://www.instagram.com/haydncornwall/
Broken, Still Beautiful by Heather Kremen Image 2 of 2 15.5 x 25.5 x 7.5 cm For sale: $2500 - contact Heather directly at contact@amokuraglass.com. Fused, blown and coldworked Bullseye glass. Not everything in life works out at first. It's the things that we pick up and continue to nurture that are the most important. I have a solo exhibition of my work at Pataka Gallery in Porirua from Sept 12 - Nov 9 . Come see my work in person (although not these pieces)! Heather fell in love with glass when she took her first glass blowing class in 2007 at Crystal Forge in Omaha, USA. Learning under Ed Fennel, Heather not only learned the basics of blowing glass but was also inspired to look up other glass artists and techniques. Moving to Minnesota for college, Heather began a mentorship under David Royce at Foci, Minnesota’s Center for Glass Art, and then took a year to study abroad at Tokyo Glass Arts Institute in Tokyo, Japan. Returning to the USA in 2010, spent the next 7 years working and taking classes at the Corning Museum of Glass, New York, at Bullseye Glass, California, at Pittsburgh Glass Center and at Foci Glass, Minnesota. In each of these places Heather was able to learn different techniques— blowing, carving, casting, coldworking, flame working, fusing, murrini, neon, rolling up, sand casting and sculpting—which she has perfected and uses in her work. In 2017, Heather decided to move back to New Zealand and take over the glass studio De Flute Glass in Rotorua which has been operating as Amokura Glass ever since. Now she works as an artist, runs the studio and gallery, and teaches glass blowing classes. Heather Kremen is known for her mastery over a broad range of glass techniques and her ability to combine them seamlessly into complexly patterned work. She loves the round forms made from blown glass and the simple elegance of how the glass flows in the furnace. While keeping her forms simple, Heather creates intricate patterns within the glass using the techniques of fusing, flameworking and casting. Heather’s designs are inspired by living and traveling around the world. She particularly is influenced by the textiles she sees and stories she hears. Her pieces aim to connect people with places around the world. Insta: @hkremenglass
Exploration of Light, Pattern and Texture by Heather Kremen Image 1 of 2 15.5 x 25.5 x 7.5 cm For sale: $4000 - contact Heather directly at contact@amokuraglass.com. Fused, blown and coldworked Bullseye glass. Not everything in life works out at first. It's the things that we pick up and continue to nurture that are the most important. I have a solo exhibition of my work at Pataka Gallery in Porirua from Sept 12 - Nov 9 . Come see my work in person (although not these pieces)! Heather fell in love with glass when she took her first glass blowing class in 2007 at Crystal Forge in Omaha, USA. Learning under Ed Fennel, Heather not only learned the basics of blowing glass but was also inspired to look up other glass artists and techniques. Moving to Minnesota for college, Heather began a mentorship under David Royce at Foci, Minnesota’s Center for Glass Art, and then took a year to study abroad at Tokyo Glass Arts Institute in Tokyo, Japan. Returning to the USA in 2010, spent the next 7 years working and taking classes at the Corning Museum of Glass, New York, at Bullseye Glass, California, at Pittsburgh Glass Center and at Foci Glass, Minnesota. In each of these places Heather was able to learn different techniques— blowing, carving, casting, coldworking, flame working, fusing, murrini, neon, rolling up, sand casting and sculpting—which she has perfected and uses in her work. In 2017, Heather decided to move back to New Zealand and take over the glass studio De Flute Glass in Rotorua which has been operating as Amokura Glass ever since. Now she works as an artist, runs the studio and gallery, and teaches glass blowing classes. Heather Kremen is known for her mastery over a broad range of glass techniques and her ability to combine them seamlessly into complexly patterned work. She loves the round forms made from blown glass and the simple elegance of how the glass flows in the furnace. While keeping her forms simple, Heather creates intricate patterns within the glass using the techniques of fusing, flameworking and casting. Heather’s designs are inspired by living and traveling around the world. She particularly is influenced by the textiles she sees and stories she hears. Her pieces aim to connect people with places around the world. Insta: @hkremenglass
"The Unspoken" Kiln cast Gaffer Glass. Cold worked. by Joanne Sullivan 22cm x 33cm For sale: $2700.00 plus GST - Contact Joanne on joannesullivan8@gmail.com This sculpture explores how we connect with one another and also relates to inner journeys. I sculpted this piece based on photographs of my own hands. This is #1 of 18 pieces in the series. The textures around the hands and the colours vary with each piece. Joanne is a sculptor working in bronze for over three decades as well as casting in crystal glass for around ten years. Her crystal glass pieces are inspired by the surrounding nature playing with light to bring them to life. Her Public sculptures include a larger than life sized sculpture of race horse "Phar Lap” stands at Phar Lap Racetrack in Timaru, NZ as well as a bronze of “Sir John Walker winning Olympic Gold” which stands in Manurewa, Auckland. “Balance", a life sized public sculpture of a rooster toppling a chair, takes pride of place in front of the library, in the Albany Village on New Zealand’s North Shore. Joanne has recently completed a 2.3m bronze sculpture of Sir Keith Park for the Sir Keith Park Memorial at Thames Airfield in Coromandel, NZ. Facebook : Sculptures by Joanne Sullivan
Sunset Slice by Julie Beaumont 46 x 5.5 cm For sale $150 - contact Julie directly on juliebeaumontnz@gmail.com
Beach Slice by Julie Beaumont 46 x 5.5 cm Not for sale - contact Julie for commissions directly on juliebeaumontnz@gmail.com
Beach Slice by Julie Beaumont 21.5 x 5 cm For sale: $85 - contact Julie directly on juliebeaumontnz@gmail.com
Coastal Slice by Julie Beaumont 46 x 5.5 cm For sale $150 - contact Julie directly on juliebeaumontnz@gmail.com
Trout with fly attached, and Fly Fishing Trout 2 by Justine Palmer Both are Wx70 cm Hx70 cms Wx17cms Not for sale I love Trout fly fishing and just had to create this wonderful creature in Glass I have been doing the art of lost wax casting for the last 2 years. I love to see the awakening of the colored glass coming together as it melts to form the creation I have made. I'm am totally excited to see the end results as what it has become. Whether it be a key or a Trout . I love nature and am inspired by our world that has been created.
Living Spaces by Karin Barr Image 2 of 2 15 x 10 x 10 cm Not for sale This work is the result of attending a glass cold-work class in Germany tutored by a Master from the Czech Republic. My artistic journey began many years ago as a stone carver. Driven by a passion to learn and experiment with new techniques, I transitioned into glass casting. Today, I am deepening my practice under mentorship in a hot glass studio, where I am honing the craft of glassblowing.
Living Spaces by Karin Barr Image 1 of 2 15 x 10 x 10 cm Not for sale This work is the result of attending a glass cold-work class in Germany tutored by a Master from the Czech Republic. My artistic journey began many years ago as a stone carver. Driven by a passion to learn and experiment with new techniques, I transitioned into glass casting. Today, I am deepening my practice under mentorship in a hot glass studio, where I am honing the craft of glassblowing.
SHAPES by Karin Barr Image 1 of 2 30 x 30 x 30 cm Not for sale This work is the result of attending a glass cold-work class in Germany tutored by a Master from the Czech Republic. My artistic journey began many years ago as a stone carver. Driven by a passion to learn and experiment with new techniques, I transitioned into glass casting. Today, I am deepening my practice under mentorship in a hot glass studio, where I am honing the craft of glassblowing.
SHAPES by Karin Barr Image 2 of 2 30 x 30 x 30 cm Not for sale This work is the result of attending a glass cold-work class in Germany tutored by a Master from the Czech Republic. My artistic journey began many years ago as a stone carver. Driven by a passion to learn and experiment with new techniques, I transitioned into glass casting. Today, I am deepening my practice under mentorship in a hot glass studio, where I am honing the craft of glassblowing.
Tooti Fruiti Panels by Kate Cornwall Wall hung Not for sale - contact Kate directly for commissions at kate@katecornwall.com Drawing her inspiration from the natural beauty of the NZ landscape, Kate is interested in the use of light, texture and transparency of glass to explore themes of permanence and fragility. Kate's artistic style can be described as a blend of Contemporary Art Nouveau, drawing inspiration as she does from the fluid organic forms of nature, utilising glass craft techniques to produce her pieces. Kate enjoys exploring and selecting the appropriate technique for each work. Insta: KateCornwallGlass Facebook: Kate Cornwall Glass
Lois 2024 By Kate Cornwall Wall Hung Not for sale - contact Kate directly for commissions at kate@katecornwall.com Drawing her inspiration from the natural beauty of the NZ landscape, Kate is interested in the use of light, texture and transparency of glass to explore themes of permanence and fragility. Kate's artistic style can be described as a blend of Contemporary Art Nouveau, drawing inspiration as she does from the fluid organic forms of nature, utilising glass craft techniques to produce her pieces. Kate enjoys exploring and selecting the appropriate technique for each work. Insta: KateCornwallGlass Facebook: Kate Cornwall Glass
Abstract in Contrast By Kate Cornwall Wall Hung Not for sale - contact Kate directly for commissions at kate@katecornwall.com Drawing her inspiration from the natural beauty of the NZ landscape, Kate is interested in the use of light, texture and transparency of glass to explore themes of permanence and fragility. Kate's artistic style can be described as a blend of Contemporary Art Nouveau, drawing inspiration as she does from the fluid organic forms of nature, utilising glass craft techniques to produce her pieces. Kate enjoys exploring and selecting the appropriate technique for each work. Insta: KateCornwallGlass Facebook: Kate Cornwall Glass
Garden Bowl by Linde Rose 25 cm diameter by 7 cm h For Sale: $230 - contact Linde at linderose@hearttalk.nz for purchase. Roses and Ferns are my favorite plants in my garden. I have been dabbling in glass making for many years and have done many classes and workshops, beginning with cast glass and later moving onto fused glass. I have always felt inspired by the way light brings glass to life and evokes feelings of wonder and mystery. Recently I have felt inspired by the crackle technique using glass powder, which creates natural, fluid and unpredictable textures. I have a studio in my home in Pt Chevalier, Auckland and have exhibited and sold my work in many group exhibitions over the last 10 years. lnstagram: linderose9
From the forest floor 1 by Kim Logue 13.5 x 6.5 x 24.5 cm For sale: $1000 - contact Kim directly at kim.logue@hotmail.com. These cast glass works investigate ecological imbalance in Aotearoa, focusing on the carnivorous Kauri Snail (Pūpū-rangi). Life-sized forms are derived from shell remnants left by wild pig predation, symbolising environmental pressures and species vulnerability. @kimlogueart
Friends by Linde Rose 20cm x 18cm Not for sale This a photo of mother as a child in a fantasy landscape with some cat friends. I make these on commission. I have been dabbling in glass making for many years and have done many classes and workshops, beginning with cast glass and later moving onto fused glass. I have always felt inspired by the way light brings glass to life and evokes feelings of wonder and mystery. Recently I have felt inspired by the crackle technique using glass powder, which creates natural, fluid and unpredictable textures. I have a studio in my home in Pt Chevalier, Auckland and have exhibited and sold my work in many group exhibitions over the last 10 years. lnstagram: linderose9
Green Frost Bowl by Linde Rose 28 cm x 11 cm x 3 cm This reminds me of the ice cracking on a deep aqua pond. For sale: $130 - contact Linde directly for sales at linderose@hearttalk.nz I have been dabbling in glass making for many years and have done many classes and workshops, beginning with cast glass and later moving onto fused glass. I have always felt inspired by the way light brings glass to life and evokes feelings of wonder and mystery. Recently I have felt inspired by the crackle technique using glass powder, which creates natural, fluid and unpredictable textures. I have a studio in my home in Pt Chevalier, Auckland and have exhibited and sold my work in many group exhibitions over the last 10 years. lnstagram: linderose9
Triangle Plate by Linde Rose 15 cm x 15 cm x 2 cm This reminds me of the sky, the different coloured lights and clouds. For sale: $130 - contact Linde directly to purchase linderose@hearttalk.nz I have been dabbling in glass making for many years and have done many classes and workshops, beginning with cast glass and later moving onto fused glass. I have always felt inspired by the way light brings glass to life and evokes feelings of wonder and mystery. Recently I have felt inspired by the crackle technique using glass powder, which creates natural, fluid and unpredictable textures. I have a studio in my home in Pt Chevalier, Auckland and have exhibited and sold my work in many group exhibitions over the last 10 years. lnstagram: linderose9
Bright Coral by Lindsay Butler Size: 47 x 47 x 6cm Not for sale. I have been addicted to glass for a few years now! Most of my glass time has been spent learning as much about fusing glass as I can. Here and overseas I have attended over 20 Masterclasses given amazing glass artists. I enjoy the mix that glass offers of both science and creativity. I am drawn to the more difficult fusing techniques involving multiple firings. By understanding the physical properties of glass and using gravity, many different designs and forms can be executed.
Smoke and Mirrors by Roz Speirs 9.5 x 2 x 28 cm Image 1 of 2 For Sale: $295 - Contact Roz directly at roz@clarityglass.co.nz. I had fun creating smoke and mirrors, combining the precision of the glass strips and placement of the silver 'mirrors' with the uncontrolled chemical reactions between the glass colours and fuming from the silver foil. Roz Speirs is a self- taught glass artist who finds inspiration in New Zealand’s vast, expansive landscapes and seascapes, dramatic weather patterns that can change in an instant, and the vibrant colours of the changing seasons. Through the medium of fused glass she creates evocative, textured landscapes, seascapes and sculptural pieces inspired by nature which capture the raw essence of New Zealand. @ClarityGlassNZ
Fuming Moons by Roz Speirs 18 x 4.5 x 35 cm Image 2 of 2 For Sale: $495 - Contact Roz directly on roz@clarityglass.co.nz. I had fun creating smoke and mirrors, combining the precision of the glass strips and placement of the silver 'moons' with the uncontrolled chemical reactions between the glass colours and fuming from the silver foil. Roz Speirs is a self- taught glass artist who finds inspiration in New Zealand’s vast, expansive landscapes and seascapes, dramatic weather patterns that can change in an instant, and the vibrant colours of the changing seasons. Through the medium of fused glass she creates evocative, textured landscapes, seascapes and sculptural pieces inspired by nature which capture the raw essence of New Zealand. @ClarityGlassNZ
Enchanted Forest - Evening Light by Roz Speirs 9 x 21.5 x 40 (including stand) Image 1 of 2 For Sale: $950 - Contact Roz directly on roz@clarityglass.co.nz. The vibrant colours of the changing seasons, and the movement of light throughout the day inspired the development of my 'Enchanted Forest' series of artworks. ‘Enchanted Forest - Evening Light’ captures the shift in light from sunset through dusk to darkness. Roz Speirs is a self- taught glass artist who finds inspiration in New Zealand’s vast, expansive landscapes and seascapes, dramatic weather patterns that can change in an instant, and the vibrant colours of the changing seasons. Through the medium of fused glass she creates evocative, textured landscapes, seascapes and sculptural pieces inspired by nature which capture the raw essence of New Zealand. @ClarityGlassNZ
Rhythm of the Soul by Serena Mercer 60cm round For sale: $260 - contact Serena directly at 30glassart@gmail.com. I love this unique piece, with his funky hair and earring. This is fused glass, with glass paints, glass decals and dichroic. I'm Serena, a self taught glass artist who fell in love with the magic of fused glass over 15years ago. You'll find me tucked away just outside palmerston north, In the beautiful aokautere hills, snipping, shaping and creating one vibrant piece at a time. It's not just about the art - it's about meeting people and teaching classes. 3d Glass Art - Facebook
Fragmented Emotion by Serena Mercer 170cmx275cm For sale: $140 - contact Serena directly at 30glassart@gmail.com. I'm Serena, a self taught glass artist who fell in love with the magic of fused glass over 15years ago. You'll find me tucked away just outside palmerston north, In the beautiful aokautere hills, snipping, shaping and creating one vibrant piece at a time. It's not just about the art - it's about meeting people and teaching classes. 3d Glass Art - Facebook
Aqua Ascent by Serena Mercer 220 cm x 215 cm For sale: $180 - contact Serena directly at 30glassart@gmail.com. Love how this piece blends in together. Different Shapes, sizes, blues, clears, they overlap each other. In the sunlight its a stunning piece of art I'm Serena, a self taught glass artist who fell in love with the magic of fused glass over 15years ago. You'll find me tucked away just outside palmerston north, In the beautiful aokautere hills, snipping, shaping and creating one vibrant piece at a time. It's not just about the art - it's about meeting people and teaching classes. 3d Glass Art - Facebook
Two sided soul (in a light box) by Serena Mercer 30 cm x 37 cm For sale: $420 - contact Serena directly at 30glassart@gmail.com. I do love this piece of Art. This is based on our family dog Shadow. So I have done the female/male joined as one. This special piece is in a light box. I'm Serena, a self taught glass artist who fell in love with the magic of fused glass over 15years ago. You'll find me tucked away just outside palmerston north, In the beautiful aokautere hills, snipping, shaping and creating one vibrant piece at a time. It's not just about the art - it's about meeting people and teaching classes. 3d Glass Art - Facebook
Frequently Asked Questions
Why is GAINZ hosting online exhibitions?
GAINZ loves to support NZers who love glass as much as we do!
Over the last few years, we’ve noticed limited opportunities for makers to share their work with the public. And those opportunities usually come at a cost! We decided since we already host the GAINZ website, we could easily host online galleries to highlight the amazing pieces being created across NZ.
Add your pricing strategy. Be sure to include important details like value, length of service, and why it’s unique.
How many online exhibitions do GAINZ intend to run each year?
a. Across the year, GAINZ plans to host regular online exhibitions with the following Topics:
i. Patterns & Textures
ii. Colour & Light
iii. Form
iv. Making Marks
v. Wearable Glass
vi. Big and Small
vii. Open Theme
b. For consistency, we plan to keep the same topics each year so you can plan ahead.
Can I Submit a Series of Works?
a. Yes! You can enter multiple pieces forming a single cohesive collection – this would count as one entry.
b. Your submission must feature glass as a major element.
Image Requirements
Please follow the file naming recommendations found in the linked file: How to Submit Images.
Does My Artwork Have to Be for Sale?
a. No, your piece does not need to be for sale.
b. If your piece is for sale, please make sure you complete your entry form fully – these details will enable buyers reach you – GAINZ won’t be a part of those conversations – it will be wholly between you and interested parties.
Entry Deadlines for exhibitions?
a. Each exhibition will be advertised with the last day to send your entry and images.
b. Exhibition information, including closing dates will be shared across social media.
Where is the Exhibition?
The exhibition will be online, hosted on GAINZ.nz.
Exhibition Dates
a. Each call for entries will be announced min 1 month before the start date.
b. Once live, exhibitions will remain on the GAINZ website for the foreseeable future.
Size of Your Artwork
No size restrictions! Since the exhibition is online, your artwork will be displayed through images.
Terms of Participation
Your work must meet the following criteria:
i. Glass must be the predominant focus of the piece (it’s a glass exhibition!).
ii. The piece must have been created in New Zealand in the last year.
iii. It should not have been shown in a previous online exhibition.
iv. The entry form must be completed for your submission to be valid.
Entry Form
You must complete an entry form to submit your work for each online exhibition.
How Many Entries Can I Submit?
Each artist can submit up to four entries per exhibition. With a max of 2 images per entry.
Exhibition Curator
The exhibition is curated by Kate Cornwall, Creative Director, GAINZ.
Questions?
If you need help or have any concerns, contact kate@gainz.nz.
How to Submit Images of Your Artwork for the
GAINZ Online Exhibition
To make sure your artwork looks great online, please follow these simple steps when sending your image: Image Quality • Your picture should be clear and sharp (not blurry). • The width should be at least 1280 pixels (this helps it look good on screen). • If you're unsure, send the best version you have, and we can help check!File Type • Save your image as a JPEG (.jpg) or PNG (.png) file. • JPEG is best for general pictures, PNG is good if your artwork has a transparent background.Size • Try to keep your file under 1MB (this helps it load faster). If your file is too big, we may need to resize it for optimum!Image Shape • If your artwork is wide, use a rectangle shape (16:9 or 3:2). • If it’s square, that’s great too! • Avoid extra space around the artwork—crop it close to the edge
